Thursday, December 13, 2012

Taken from 2012: So, you want to be a movie star?


Hidden in the back of the cultural mindset is the image of someone stepping off of a bus in front of the Gates of Los Angeles. Suitcase in hand the person marches into the “lion’s den” with hopes, dreams, and aspirations of getting that “one shot” that will propel them into fame and fortune; gracing magazine covers and their 15 minutes on E! The whole scene is filmed in black-and-white with light music playing in the background.

I never wanted to be an actor; I wanted to be a filmmaker. I grew up on “Star Wars,” “Indiana Jones,” and the like; movies that Kevin Smith endlessly references for his career. At one point, yes, I wanted to be the next Spielberg. Sadly I woke up one day and asked myself if there was a story I really wanted to tell. Maybe I will get back to that someday.

I’ve never pulled cable or held an umbrella over an actor or actress to keep the sun off them. I’ve never taken directions from the set manager, worked as a “best boy,” or even been on a multi-million dollar set. To my credit I have done my own projects which included a sexual harassment PSA. I have also screened movies, worked in a movie theatre, and been a clerk at a Hollywood Video. There ya go.

One day, while on unemployment, I received an e-mail saying that an independent film was being shot in La Grange and extras were needed. Why not? The pay was $20 and, while not scale, it didn't seem a bad idea. All I had to do was wake up early Saturday morning, drive to La Grange (15 minutes from me) and pretend to be part of a town watching a trial. No worries. I found two nice changes of clothing and Saturday morning drvoe out to the courthouse.

First call was at 7:30am and just about every person imaginable was there. Old, young, male, female; this was "open casting." Periodically someone would check in with us and tell us that we were starting soon. Around 8:30am we were told that we would need to go ahead and change but before doing so had to have our clothes "cleared" with wardrobe. Having brought mine in my backpack one of the women looked at me, said, "Fine," and pointed me toward the bathroom to change.

Before I go too much further let me mention the stand-out person: Logan. Logan is a professional actor/extra who has worked on a few indie films. Of note he was dressed as if he came from the set of "Pirates of the Caribbean" and could do a dead-on Jack Sparrow imatation.

As we all sat in the main courtroom waiting to be called one of the actors, who happened to be the producer, introduced himself and said that we would soon be going upstairs into one of the larger courtrooms. I remembered him from a few years back - he directed a Christian movie that premiered at the Derby City Film Festival.

Moments later we were herded into a much larger courtroom, and older, courtroom on the second floor. The guy playing the "judge" sat looking (presumably) over his script. The producer and director scoured over our faces and moved us around according to visual aesthetic. My neighbor eventually became a young girl, 21, a bit medium-sized, who knew the producer from going to his church. She worked as a secretary for a church. In her hands was a book whose cover portrayed what I can only describe as "forbidden love among the Amish." Or pious. I guess there's a market for Christian romance novels.

In order to save money there was only one camera on the set: a RED. For those non-tech savvy, the RED is the current go-to in the field of cameras for filmmaking. It's also expensive which is probably the reason they only had one and the reason that each angle had to be covered at least three times. Time over money, money over time.

This was the situation: a "respected" member of the community was drunk as he was driving home one night and accidentally killed a little girl. He was being put on trial and expected to plead innocent but instead pleas guilty which shocks the small town gathered to observe the trial. I was to be one of the town members. Of note the guy playing the man on trial I vaguely remember from "Elizabethtown."

For hours it was pretending to be whispering about the trial goings-on. I had to turn to the girl to my right and pretend to be shocked that this guy just did what he did. I would try getting the girl next to me to "crack up" by saying stupid things. For instance she would say, "Can you believe that?" to which I reply in shock and awe with, "Yes! It's not butter!" After the third time she tuned-out my commentary.

Lunch occured around noon and it was catered. I had some bow-tie pasta, asparagus, rolls, and unsweet tea. The producer talked with me for a little bit about living in L.A., moving out to Ky, then splitting time being back in L.A. while shooting in Ky. I listened to others believe that what they were doing would lead them to the next "big break" and I could only think to myself: "Gee, I'm just doing this for shits and giggles."

When lunch convened we went back to the courtroom but now it was the "next day." I was placed a few rows behind where I had originally sat because I wasn't planning on attending on Sunday.

Not too much more to add to this story. There was a lot of standing up, sitting down, pretending to talk, pretending to be shocked and waiting for each shot to be set up. It seemed to take 5 minutes to setup a shot that would last mere seconds. 'Tis the world of film.

At the end of the day I collected my cash and went home. It was a fun sojourn but nothing I would make a career of.

Monday, June 11, 2012

Back on the Reservation


Okay, first off I have to apologize. I went off the reservation last time and I got “distanced” from a few people. And one “subscriber” had enough and unsubscribed. So, I'm sorry. I can't guarantee that it won't happen again but if you're with me thus far I appreciate it more than I can express.



So, what's going on with me this time around:



I fell into a “niche” in photography. Specifically, night photography. There's something about being able to grab my camera and tripod and go out for the night, taking pictures of monuments or buildings or neon signs. It's amazing what I can actually do with a camera and what I'm crazy enough to do (see: speeding train picture).



The plan is that by the end of August I will have enough material to construct an e-book as well as a hardcopy version. The only downside to this is that printing the full e-book would be more than I can afford for doing just one so it'll have to be abridged. On the plus side people may order the “expanded edition” (which will amount to $10, or two beers, a discount trip to the movies, etc.) and hopefully I will be contacted from that.



Speaking of being contacted a local entity called Save Louisville has used some of my pics during the past few weeks. Plus on my side.



Finally, my uncle is consulting with me about the amount of capital it would take to open my own booths/studio to get my work off the ground. He's spitballing $400 but I haven't discussed how much booths run for. We discussed as much as how much prints will sell for (going to have to be 8x11 or so at the very least) and I'm trying to pull together an Excel spreadsheet detailing the online costs. We'll see how it goes.



Aside from that I'm -technically- running the Louisville Digital Photography group. Joe, the previous organizer and current keeper – no longer wants to do it. I haven't because I spent about a month with no money so this has been my first chance to do anything which began with getting everyone to do night photography. The Meetup was a blast and I'm hoping to have another one soon. Pictures are posted on my website.



As we recount... spent about a month without money (or, rather, borrowing from family), finally got that straightened-out (they forgot about me), and I got to the realization that in order to get the hell outta here I've got to save up money. Which means I need to find another shit job. Which, while I don't want to, it's the only thing that I can do. I've been trying to apply for photo-related jobs but that's not cutting it. Back to getting screamed at (aka customer service).



If there's anything else for this forum it's the “loneliness” factor or... am I going to find what I'm looking for here? I don't like the idea of “settling” because it denotes that whatever was hoping to be achieved was scuttled for what was available and I've done my fair amount of “what is available.” My problem is that due to arriving into the game fairly late I have my ideas for what to look for but everyone's a cynic, everyone's jaded, and I'm just trying to be honest. I told a friend of mine once that any time I kiss a girl it's like this six combination lock and that while I've been close to unlocking the safe there's always one or two combinations that I can't get.



My biggest problem is that I'm confined to the Land of the Plastic People. “Trophy wives.” People who look like they're cut from magazines. People pretending that money doesn't change anything yet kowtow to whatever someone with more money than them wants. I'm the honest guy among the fakes. Why don't I put a “kick me” sign on my back?



You can't make someone love you. Conversely, showing up on someone's doorstep and saying, “Love me,” is a horrible idea, too. My ex, Rachel, says that I'll eventually find someone. Time only compounds loneliness. I'm trying not to be but I feel time running out...



Lastly, what of my writing? Well, this is the most I've done in a long while sans whatever movie I last reviewed and my Facebook chatting. I've been advised to not leave Aiden hanging and he won't be; he's just on hiatus. Once I get this project completed or if I get some spare time I'll throw out more of “Sayonara Sunset.” I will always write when I can it's just that I had to pick a discipline and for the moment I'm enjoying doing photography. I'm not any less a reader or writer.



Well, I hope that this sounds better than the last one. I hope you're still here with me.

Wednesday, May 23, 2012

Just Plain Down


There used to be a time when I wrote about how bad I felt. I would blog on MySpace about how things were going, what I was doing, etc. but mainly how I hated my life. I swear that the ones in charge must've thought I was suicidal because after posting I could not access my blog to reread it for at least a day or so. Just a snapshot in time.



I have no clue why I feel like shit tonight. Maybe it was the third beer during trivia. Maybe it's impending change in the weather. Maybe it's looking at what I have to do and what I want to do. Maybe it's a bit of it all.



A local medical insurance corporation is hiring for BS work for a decent amount of dough ($12-$13/hr). I would prefer not doing this however I'm getting to the point where there is no choice. My unemployment is only going to give me $198 a week (after taxes and whatnot taken out) and while I'm basically living rent-free I'm tired of this game I'm playing here. My life has boiled down to taking shitty jobs in order to do what I enjoy.



“But isn't that your life? Why be ashamed of it – that's who you are.” - A friend of mine.



Yes, it is. It doesn't make me feel any better about it. There's something about life in which it's all reminiscing about days past – the movies, music, etc. - and it seems that everyone and everything else has settled but me. Something something “Peter Pan growing up.”



“Sometimes you have to ask yourself, 'is this as good as it gets?'”



My mind is wandering and I can only picture myself punching myself in the face and looking like the cover to Alice in Chains' “Greatest Hits.” I'm ripping myself apart. I know it's of no use. I know it's of no good.



“I focus on the pain.... the only thing that's real...”



I hate when it rains on the inside. I never know how to make it stop.



I talked with others tonight about applying/taking the job and they responded, “It's not that bad.” The money isn't the concern – it's the feeling that again, I'm going nowhere. The Talking Heads had a road there once. I've been trying to hold out for something that I would enjoy doing because the thin facade of doing what I don't like and hoping it will pay off eventually gets me back to the beginning of the circle.



“I will begin again but I can't start until I've seen the end.”



What kicked all of this off? It may have been the phone call with my mom. She advised me to find my “real” dad and talk with him so I can fix that piece of the puzzle no one else has been able to. Well, it's been on a To Do list for a while but I don't think that doing so is going to automatically fix anything. I just find everybody anticipating something better and I just want out; I'm waiting to see the big, black billboard with EXIT HERE in white letters with an arrow. Please, let me go. I'm tired of being me. I fucked it all up; this wasn't my world. Please let me know that I am not some sort of cosmic joke for omnipotent amusement.



But that won't happen. I'm fucking here. I'll upload this blog and sometime in the future write again. Same shit. Same words. Maybe different structure. But I'll be back. Fuck.

Sunday, April 8, 2012

A Heart Full in its Nakedness

The damnedest thing about all of this is where it's at now: two souls staring at each other across a vast ocean of time and distance with the realization that they will never be together. And that's the way it has to be.


Two Friday nights ago I had a conversation with my friend Cindi. I've known her for 15 years this May. We began talking about how our lives were, photography, and whatnot and somewhere (for me at least) between beer 1 and 2 I finally had the conversation that we've been avoiding: how we felt about each other. This spanned over two hours of chat on Facebook.


The main portion of this chat began with me saying that in my lifetime I've ever only really been in love with three women – Jessica, Jen (for better or worse), and Cindi. She knew she was one of the three. The difference between her and the other two is that I would go to the ends of the Earth for her. Maybe that's what true love is. Sometimes it's the puppy dog “follow you anywhere/let me see if that's what she's interested in.” Sometimes it's “I like you a lot.” Sometimes it's a hurt you feel when you're not or can't be with the other person. With her it was “I would do anything in the Universe for her.”


I can honestly say that falling in love with her wasn't anything I had planned on. I remember the first time I met her – I was given the assignment of working in a call center and she interviewed me. I remember asking her after the fact why she did and she said she was intrigued by someone who was “different.” Following leaving the business she wanted to stay in contact with me and we were friends because she was then-married to a guy named Chris, a former bartender who worked at an auto shop detailing cars.


The first time I didn't have anything to do with her is when she brought up the idea as a fact. I was talking with her on the phone and she said I had feelings for her because it came to her one morning as she stared into her cereal. Up to that point I never considered it – I was just enthralled with who she was. Independent, interesting, fun, and a dozen other qualities I'd never seen in any other woman. I took about a three month sabbatical before I stopped off at her new business again and talked with her. We slowly began being friends again.


I officially left Agony (er, Albany) Georgia for the first time in the summer of 1999. I remember that her and I spent the day hanging out, watching my movie, “Love Bytes,” and we had lunch at the Burger King. She didn't want me to go but I felt I had to prove something to myself and her. I would've stayed if she had told me how she felt about me.


I kept in contact with her during college. I called her on Monday mornings when I was hungover. I called her once before a date to a “Weird Al” concert. I kept in on what was happening in her life – going to the doctor, divorcing Chris, etc. In my head was a plan to finish my Bachelor's in Film and ggo down and tell her how I really felt. The December before I graduated I went to visit my parents and had dinner with her one night. She walked with me outside to my car and I hugged her, holding on to her and pressing my face against hers. Maybe I was a coward. Maybe I didn't know how to tell her how I felt about her. I watched her walk back into her home and close the door. I then left.


May came around and following graduation I went to spend a week with my parents and to go see her. I tried calling her number but to no avail. Her cellphone number wasn't accepting calls and I had no clue as to what was going on. One night I prayed and asked God what had happened to her and the response was that she was alive and alright, but that's all God gave me. I had to suffice with that.


November I receive an e-mail from her stating that she was married again and living in Jacksonville, FL. I was just happy to hear from her. We talked on the phone and whenever I called according to her husband she was “tickled pink” to hear from me.


Fast-forward to 2005 when I move back down South. She offers me a few freelance assignments and I work for her as a videographer/assistant photographer for weddings. I hold back how I feel but I notice that any time around the atmosphere around her changes. We share something that no one else in the world can.


Come January of 2007 I have to make a decision as to whether or not I stay in SW Georgia. I'm working at a crap job in a warehouse for $7 an hour. I love Cindi and I know that she has feelings for me that she doesn't disguise as well as she thinks she does. I know that her life is much bigger than mine and me, I try my best at doing the right thing a concept of which I'm not sure exists as I get older. I don't want to be the guy who destroys a marriage and throws a monkey wrench into something someone else has put time and effort into. Figuring that the pain of fucking everything up for her would be worse than my own I decided to leave.


Five years later I finally tell her such. Maybe not every syllable but we find ourselves in love with each other with the ability to do nothing about it. She feels “a damn fool” for not saying something to me earlier, that she's had deep feelings for me from when we first met. I feel a coward for never being able to say it. This is how the fate of soulmates goes.


* * * * * * * * * * * * * *


Jen was a bitch.


To some she's The Unspeakable. To myself and a few others, the Girl with the Dragon Tattoo (not Lisbeth Salander, mind you, but she does have a small tattoo of a dragon on her stomach).


I've never really proclaimed this until I had that Johari's window-type moment, only from two different friends. One was Michael who has listened to enough of the story to either upchuck or create a bestselling novel. The other was my ex-gf Rachel who, although with bare minimum of story, came up with the same conclusion as Michael.


She was fucking John while she was with me.


So goes the last of any notion of nice, any halo that I hung over her head, any issue I didn't want to deal with. Maybe I was cheated. Maybe a lot of things. There's no “cold case” to solve on this one. Foregoing intricacies there will always be a hurt or pain associated with whatever happened but in the end it wasn't my fault.


And that's that.


* * * * * * * * * * * * * *


Life is all about making goals now. Do this. Do that. Don't forget this other thing. Following the last two semi-posts my emotional baggage can now fit inside the overhead bin of a commuter plane. There's one last thing that I have to do: find and talk with my real dad. Stay tuned.

Sunday, February 26, 2012

An Interpretation of the Oscars (or Academy Awards)

It's easy to write-off the “Oscars” like any other awards show: a large group of people with salaries most of us can only hope to see in our lifetime give a presentation whereby they hand out awards based on talent and popularity. And like the socio-politics of any workplace awards ceremony it sometimes feels more the latter than the former. But enough of that.


I've been watching the awards, on-and-off, since the Nineties. I've seen my fair share of questionable segments such as the year when one of the post-apocalyptic suits from “12 Monkeys” was paraded around the presentation for Best Costume. I remember when, one night, the ceremony literally went until 1:30am EST – I think most of the audience had to have a blood transfusion for it going that long.


I'm digressing. The older I get the more I realize what the awards are about – recognition for a very difficult medium. Anyone with a cameraphone or webcam can make a movie on YouTube and post it within moments and garner the attention of their friends, family, and 3rd grade teacher; some may even make it big and be noticed by media. The truth of the matter is that today's webcam/cameraphones aren't any different than yesterday's Handycams, or the Eighties camcorder phenom (which led to “America's Funniest Home Videos”) or the super 8 films kids made in the Seventies. What the Oscars are about is dedication.


At one point during the ceremony actors were asked what they thought of the movies, their first movie memories, etc. Aside from the fact that “Overboard” is Reese Witherspoon's favorite film (who knew?) I was struck by the honesty of someone asking why anyone would pay money to go into a room, sit around people that they don't know, stare at a giant white screen and engage in an experience with others while making it wholly their own. That is the true magic of cinema.


Sifting through the backlog of memories in my head I feel like Billy Pilgrim sans the whole “when am I at again?” feeling. I remember being at my uncle's house over by Moore HS and watching “Ghostbusters” on videotape for the first time and being absorbed into the story unfolding on the TV screen (and excited because I had never seen a VCR before). I remember watching “Song of the South” and some other movie with Gerald McRaney in it at the J-Town 4 Theater with my grandmother. I miss the afternoons when I would sit and watch 3 movies on the local Fox station on both Saturday and Sunday from 12-6 (I can't tell you how many times I watched “Flash Gordon”). This was my childhood.


I became interested in film, in storytelling in general, during the points in-between. A long time ago a woman named Cynthia intrigued me because she was a professional storyteller (or so I remember). Each year she would sit and weave stories at the Corn Island Storytelling Festival. Out of all the activities in Cub Scouts I remember listening to her stories the most. The craft of storytelling itself is amazing – to paint another's mind with images and sounds and dialogue, to take someone on a journey and entertain them in the process, to make them think or feel. I could only hope to aspire to become a glorified teller of tales.


Directors such as Scorcese, Eastwood, Spielberg, and the like have been asked and have pointed to the first movie they loved or the movie that led them into filmmaking. What led me into it was a year in the early Nineties when the local Boy Scout council held a camporee and offered merit badge classes. That year a local TV cameraman was asked to come to out and be a counselor for Cinematography merit badge (aka the Steven Spielberg merit badge). It was the first time I had ever touched a video camera before and yes, the first time you mess with a video camera you ZOOM a lot. It's just cool.


Within a year I would contact him again and he stated that I was the only person to contact him about the merit badge and that yes, he was a counselor for it. I immediately went to writing a script based off of two things I knew: “Star Trek” and the humor of ZAZ (Zucker, Abrahams, and Zucker). In my script the “Star Trek” cast and crew were sent through a time portal that reduced everyone's ages to their teen years. I played Capt. Kirk while Spock, Scotty, McCoy and the rest were often double or triple-played by all my friends. I wrote commercials such as “Vulcan's Eve” (for those “not so logical” moments) and my own “Terminator 3” in which my younger brother was a less-intelligent, more-annoying cyborg from the future. Those were the days.


About a decade ago I met Bruce Campbell at then- Hawley-Cooke booksellers. He was promoting his first book, “If Chins Could Kill: Confessions of a B-movie Actor.” Standing centerstage he stood raised above everyone and gave sharp witticisms about Hollywood: “It's the kind of place where dreams are made, then broken, then built up again to be crushed again.” (I could be wrong but essentially the paraphrasing is correct) When signing my copy of his book he says, “My dad's name is Charles, too,” to which I can't remember my reply except to say that I was starstruck – an actual guy I had seen in movies and TV (“Army of Darkness,” “The Adventures of Briscoe County, Jr.”) was sitting in front of me signing my book. For good measure I got him to do a “station announcement” for SPC-TV, the student-run TV station that I was a part of.


A weekend or so ago I met, and took a pictures of, Lance Henriksen. Bishop from “Alien.” Frank Black from the TV series “Millennium.” Lest we not also mention “Dog Day Afternoon,” “Terminator,” “Pumpkinhead,” and a score of other films. I've long-since lost most of my starstruck-dom and have became calmer meeting “celebrities.” What I found fascinating was not necessarily the projects that he's done so much as his attitude about them. Listening to his stories and anecdotes I heard what I sometimes forget in my certain amount of cynicism: that cinema is the crafting of dreams. Nevermind the fact that only 40% of people who graduate in film get a job in it or that getting a film released is sometimes nothing short of a miracle, it's still a process about dreams. And storytelling.


So when I'm sitting on my futon staring at my TV watching Billy Crystal or Tom Hanks or Angelina Jolie walk across the stage I put away that cynicism that this is about a group of people patting each other on the back saying “Good job,” and “maybe next year.” I forget about the “sympathy” Oscars and other trite notions. I find myself giving recognition along with them to those who have one and imagine that maybe, should my life take that course, I'll stand on stage and say, “I dedicate this to all those times I sat in class quoting 'Army of Darkness,' 'Spaceballs,' and 'Grosse Pointe Blank.'” Oh yeah, and to momma, daddy, Jesus, and Elvis, too. And the producers, the cast, the crew... (insert exit music here)