Thursday, December 13, 2012
Taken from 2012: So, you want to be a movie star?
Monday, June 11, 2012
Back on the Reservation
Wednesday, May 23, 2012
Just Plain Down
Sunday, April 8, 2012
A Heart Full in its Nakedness
The damnedest thing about all of this is where it's at now: two souls staring at each other across a vast ocean of time and distance with the realization that they will never be together. And that's the way it has to be.
Two Friday nights ago I had a conversation with my friend Cindi. I've known her for 15 years this May. We began talking about how our lives were, photography, and whatnot and somewhere (for me at least) between beer 1 and 2 I finally had the conversation that we've been avoiding: how we felt about each other. This spanned over two hours of chat on Facebook.
The main portion of this chat began with me saying that in my lifetime I've ever only really been in love with three women – Jessica, Jen (for better or worse), and Cindi. She knew she was one of the three. The difference between her and the other two is that I would go to the ends of the Earth for her. Maybe that's what true love is. Sometimes it's the puppy dog “follow you anywhere/let me see if that's what she's interested in.” Sometimes it's “I like you a lot.” Sometimes it's a hurt you feel when you're not or can't be with the other person. With her it was “I would do anything in the Universe for her.”
I can honestly say that falling in love with her wasn't anything I had planned on. I remember the first time I met her – I was given the assignment of working in a call center and she interviewed me. I remember asking her after the fact why she did and she said she was intrigued by someone who was “different.” Following leaving the business she wanted to stay in contact with me and we were friends because she was then-married to a guy named Chris, a former bartender who worked at an auto shop detailing cars.
The first time I didn't have anything to do with her is when she brought up the idea as a fact. I was talking with her on the phone and she said I had feelings for her because it came to her one morning as she stared into her cereal. Up to that point I never considered it – I was just enthralled with who she was. Independent, interesting, fun, and a dozen other qualities I'd never seen in any other woman. I took about a three month sabbatical before I stopped off at her new business again and talked with her. We slowly began being friends again.
I officially left Agony (er, Albany) Georgia for the first time in the summer of 1999. I remember that her and I spent the day hanging out, watching my movie, “Love Bytes,” and we had lunch at the Burger King. She didn't want me to go but I felt I had to prove something to myself and her. I would've stayed if she had told me how she felt about me.
I kept in contact with her during college. I called her on Monday mornings when I was hungover. I called her once before a date to a “Weird Al” concert. I kept in on what was happening in her life – going to the doctor, divorcing Chris, etc. In my head was a plan to finish my Bachelor's in Film and ggo down and tell her how I really felt. The December before I graduated I went to visit my parents and had dinner with her one night. She walked with me outside to my car and I hugged her, holding on to her and pressing my face against hers. Maybe I was a coward. Maybe I didn't know how to tell her how I felt about her. I watched her walk back into her home and close the door. I then left.
May came around and following graduation I went to spend a week with my parents and to go see her. I tried calling her number but to no avail. Her cellphone number wasn't accepting calls and I had no clue as to what was going on. One night I prayed and asked God what had happened to her and the response was that she was alive and alright, but that's all God gave me. I had to suffice with that.
November I receive an e-mail from her stating that she was married again and living in Jacksonville, FL. I was just happy to hear from her. We talked on the phone and whenever I called according to her husband she was “tickled pink” to hear from me.
Fast-forward to 2005 when I move back down South. She offers me a few freelance assignments and I work for her as a videographer/assistant photographer for weddings. I hold back how I feel but I notice that any time around the atmosphere around her changes. We share something that no one else in the world can.
Come January of 2007 I have to make a decision as to whether or not I stay in SW Georgia. I'm working at a crap job in a warehouse for $7 an hour. I love Cindi and I know that she has feelings for me that she doesn't disguise as well as she thinks she does. I know that her life is much bigger than mine and me, I try my best at doing the right thing a concept of which I'm not sure exists as I get older. I don't want to be the guy who destroys a marriage and throws a monkey wrench into something someone else has put time and effort into. Figuring that the pain of fucking everything up for her would be worse than my own I decided to leave.
Five years later I finally tell her such. Maybe not every syllable but we find ourselves in love with each other with the ability to do nothing about it. She feels “a damn fool” for not saying something to me earlier, that she's had deep feelings for me from when we first met. I feel a coward for never being able to say it. This is how the fate of soulmates goes.
* * * * * * * * * * * * * *
Jen was a bitch.
To some she's The Unspeakable. To myself and a few others, the Girl with the Dragon Tattoo (not Lisbeth Salander, mind you, but she does have a small tattoo of a dragon on her stomach).
I've never really proclaimed this until I had that Johari's window-type moment, only from two different friends. One was Michael who has listened to enough of the story to either upchuck or create a bestselling novel. The other was my ex-gf Rachel who, although with bare minimum of story, came up with the same conclusion as Michael.
She was fucking John while she was with me.
So goes the last of any notion of nice, any halo that I hung over her head, any issue I didn't want to deal with. Maybe I was cheated. Maybe a lot of things. There's no “cold case” to solve on this one. Foregoing intricacies there will always be a hurt or pain associated with whatever happened but in the end it wasn't my fault.
And that's that.
* * * * * * * * * * * * * *
Life is all about making goals now. Do this. Do that. Don't forget this other thing. Following the last two semi-posts my emotional baggage can now fit inside the overhead bin of a commuter plane. There's one last thing that I have to do: find and talk with my real dad. Stay tuned.
Sunday, February 26, 2012
An Interpretation of the Oscars (or Academy Awards)
It's easy to write-off the “Oscars” like any other awards show: a large group of people with salaries most of us can only hope to see in our lifetime give a presentation whereby they hand out awards based on talent and popularity. And like the socio-politics of any workplace awards ceremony it sometimes feels more the latter than the former. But enough of that.
I've been watching the awards, on-and-off, since the Nineties. I've seen my fair share of questionable segments such as the year when one of the post-apocalyptic suits from “12 Monkeys” was paraded around the presentation for Best Costume. I remember when, one night, the ceremony literally went until 1:30am EST – I think most of the audience had to have a blood transfusion for it going that long.
I'm digressing. The older I get the more I realize what the awards are about – recognition for a very difficult medium. Anyone with a cameraphone or webcam can make a movie on YouTube and post it within moments and garner the attention of their friends, family, and 3rd grade teacher; some may even make it big and be noticed by media. The truth of the matter is that today's webcam/cameraphones aren't any different than yesterday's Handycams, or the Eighties camcorder phenom (which led to “America's Funniest Home Videos”) or the super 8 films kids made in the Seventies. What the Oscars are about is dedication.
At one point during the ceremony actors were asked what they thought of the movies, their first movie memories, etc. Aside from the fact that “Overboard” is Reese Witherspoon's favorite film (who knew?) I was struck by the honesty of someone asking why anyone would pay money to go into a room, sit around people that they don't know, stare at a giant white screen and engage in an experience with others while making it wholly their own. That is the true magic of cinema.
Sifting through the backlog of memories in my head I feel like Billy Pilgrim sans the whole “when am I at again?” feeling. I remember being at my uncle's house over by Moore HS and watching “Ghostbusters” on videotape for the first time and being absorbed into the story unfolding on the TV screen (and excited because I had never seen a VCR before). I remember watching “Song of the South” and some other movie with Gerald McRaney in it at the J-Town 4 Theater with my grandmother. I miss the afternoons when I would sit and watch 3 movies on the local Fox station on both Saturday and Sunday from 12-6 (I can't tell you how many times I watched “Flash Gordon”). This was my childhood.
I became interested in film, in storytelling in general, during the points in-between. A long time ago a woman named Cynthia intrigued me because she was a professional storyteller (or so I remember). Each year she would sit and weave stories at the Corn Island Storytelling Festival. Out of all the activities in Cub Scouts I remember listening to her stories the most. The craft of storytelling itself is amazing – to paint another's mind with images and sounds and dialogue, to take someone on a journey and entertain them in the process, to make them think or feel. I could only hope to aspire to become a glorified teller of tales.
Directors such as Scorcese, Eastwood, Spielberg, and the like have been asked and have pointed to the first movie they loved or the movie that led them into filmmaking. What led me into it was a year in the early Nineties when the local Boy Scout council held a camporee and offered merit badge classes. That year a local TV cameraman was asked to come to out and be a counselor for Cinematography merit badge (aka the Steven Spielberg merit badge). It was the first time I had ever touched a video camera before and yes, the first time you mess with a video camera you ZOOM a lot. It's just cool.
Within a year I would contact him again and he stated that I was the only person to contact him about the merit badge and that yes, he was a counselor for it. I immediately went to writing a script based off of two things I knew: “Star Trek” and the humor of ZAZ (Zucker, Abrahams, and Zucker). In my script the “Star Trek” cast and crew were sent through a time portal that reduced everyone's ages to their teen years. I played Capt. Kirk while Spock, Scotty, McCoy and the rest were often double or triple-played by all my friends. I wrote commercials such as “Vulcan's Eve” (for those “not so logical” moments) and my own “Terminator 3” in which my younger brother was a less-intelligent, more-annoying cyborg from the future. Those were the days.
About a decade ago I met Bruce Campbell at then- Hawley-Cooke booksellers. He was promoting his first book, “If Chins Could Kill: Confessions of a B-movie Actor.” Standing centerstage he stood raised above everyone and gave sharp witticisms about Hollywood: “It's the kind of place where dreams are made, then broken, then built up again to be crushed again.” (I could be wrong but essentially the paraphrasing is correct) When signing my copy of his book he says, “My dad's name is Charles, too,” to which I can't remember my reply except to say that I was starstruck – an actual guy I had seen in movies and TV (“Army of Darkness,” “The Adventures of Briscoe County, Jr.”) was sitting in front of me signing my book. For good measure I got him to do a “station announcement” for SPC-TV, the student-run TV station that I was a part of.
A weekend or so ago I met, and took a pictures of, Lance Henriksen. Bishop from “Alien.” Frank Black from the TV series “Millennium.” Lest we not also mention “Dog Day Afternoon,” “Terminator,” “Pumpkinhead,” and a score of other films. I've long-since lost most of my starstruck-dom and have became calmer meeting “celebrities.” What I found fascinating was not necessarily the projects that he's done so much as his attitude about them. Listening to his stories and anecdotes I heard what I sometimes forget in my certain amount of cynicism: that cinema is the crafting of dreams. Nevermind the fact that only 40% of people who graduate in film get a job in it or that getting a film released is sometimes nothing short of a miracle, it's still a process about dreams. And storytelling.
So when I'm sitting on my futon staring at my TV watching Billy Crystal or Tom Hanks or Angelina Jolie walk across the stage I put away that cynicism that this is about a group of people patting each other on the back saying “Good job,” and “maybe next year.” I forget about the “sympathy” Oscars and other trite notions. I find myself giving recognition along with them to those who have one and imagine that maybe, should my life take that course, I'll stand on stage and say, “I dedicate this to all those times I sat in class quoting 'Army of Darkness,' 'Spaceballs,' and 'Grosse Pointe Blank.'” Oh yeah, and to momma, daddy, Jesus, and Elvis, too. And the producers, the cast, the crew... (insert exit music here)